Ortiz Amezquita enters carrying small travel cases, and begins with a play of light, mirrors, reflection and projection. It is a fitting introduction to the piece, an intricate work of object storytelling, self-portraiture through shadow and sound, thinking back and calling back, falling in and out of history with his story.
Despite the array of topics covered and formats used, Triinu’s performance is entirely cohesive and blends together flawlessly. Her ease and grace as a ballerina are mirrored in the way she conducts her show, and her control, both in her physical and spoken performance, is nothing short of impressive.
As part of the Tallinn Fringe, EAMT’s CPPM Master’s program presents their second volume of Läbu (Estonian for a…
The LÄBU series of performances is an opportunity to see different works created within the Master’s…
Heldeke! once again succeeded in drawing a massive crowd for their Saturday night double act, Playful…
On the fly and off the cuff, Raptorjesus42’s genre switches challenged and responded to challenge from Lebo Sibul’s growling, ringing guitar. Over the course of the Fringe their stage style has evolved as much as their sound, fashion and technique gelling and morphing over time from pop to techno, upbeat then uptempo.