Honest To A Fault – Heather Ragnars
There is a conversational quality to the songs, as though she has simply decided to sit down at the piano and tell you exactly what went wrong this time.
There is a conversational quality to the songs, as though she has simply decided to sit down at the piano and tell you exactly what went wrong this time.
It is a performance rich with urgency and compassion, intensity that rocks the piano and movements both physical and musical that engage the full space with sound.
Gógó kicks off the night by explaining what “succulent” really means: something delicious, juicy, and enticing – and the performers deliver on that promise from start to finish.
Following the first act of Tallinn Fringe 2026 was the comedy panel show Please the People, presented by veteran comedian and host Ana Falcón. In this show, three comedians face…
There is something wonderfully strange about watching a man walk into a room and address an audience as though we were members of a prestigious scientific academy, while telling us…
Instead of focusing only on tasting notes, I found myself noticing their texture, intensity and overall mood through the music.
It takes a certain kind of person, and personality to be both servile and insistent, coy and comedic. “Ahh!” “Oh no!” and “Oh yeahhh~!” are the only words spoken, by the performer and audience alike, though there is no shortage of sounds or laughter.
Their chemistry makes the relationship between the characters believable, while their reactions and timing keep the absurd situations entertaining.
Through this dynamic back-and-forth, he brilliantly illustrates the subtle difference between a good actor and a bad actor.
It was a lovely surprise and added yet another unexpected layer to an already wonderfully varied evening.