Cold Fingers Series – Tomas del Real & Clarke Camilleri
We were carried into a kind of bubble for more than an hour and a half, with gentle and soothing moments, more lively and uplifting ones, and plenty of laughter in between.
We were carried into a kind of bubble for more than an hour and a half, with gentle and soothing moments, more lively and uplifting ones, and plenty of laughter in between.
Altogether, it feels like a meditation—it is easy to get lost in the moment, the world shrinking down to just lights, noise, and sensation. It is disorienting, in the best of ways.
With the wide grin of a salesman – or indeed, a true showman – he launches us into the first song, a rendition of “My Blue Heaven”, kicking off an incredible set that, much like the audience, was well-known and unfamiliar, from all over the world.
This was no ordinary recital. Candlelight, carefully chosen costumes, and the spoken word of Dante’s immortal poetry turned the performance into a ritual of music, literature, and theater.
On the fly and off the cuff, Raptorjesus42’s genre switches challenged and responded to challenge from Lebo Sibul’s growling, ringing guitar. Over the course of the Fringe their stage style has evolved as much as their sound, fashion and technique gelling and morphing over time from pop to techno, upbeat then uptempo.
Their presentation is intentionally Tolkienesque, a nymph and her woodland knight, as they move through songs that each brought to their partnership. Halldorson whistles on Speaker of Trees, and throughout the evening Rose sings in Estonian, English, and Elvish.
Throughout the set, he alternated strong-voiced and breathless delivery, grasping at the full spectrum of love and suffering through folksy, vivid lyrics.
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