Rene Paul: Actually Fine?

In contemporary performing arts, we often see artistic genres collide and mix. Theater can combine with music, or dance with circus, among other creative blends. This element is present in Rene Paul’s Actually Fine at Heldeke!, a cabaret comedy show where the artist narrates and sings about everyday life and how strange it can sometimes feel, even when modern comforts are so impressive. The performance mixes song, piano, and keytar (a device shaped like a guitar but with the keys of a piano). However, it is far from being a traditional music show, as it includes important pauses for interaction and crowd work, props and more.

As with any show, there is an introduction at the beginning, where the artist plays with small, innovative details introducing himself with a radio-style voice in a funny and unexpected way. This voice or presence continues throughout the performance, involving a second character or inevitable companion within the act. Someone who constantly plays with the characters on stage and brings to life what, for many, is a constant struggle with technology.

This is a key element in the show: technology doesn’t just play an active role in the development of a character, but rather shapes and parades it. For example, an unexpected telephone call creates a pause that bridges into a new song – a pause that could happen to anyone through a text message in our day-to-day lives.

In addition to the artist’s interaction with technology, there is a constant game and interplay with the audience, there is never a fourth wall. The audience is encouraged to participate and contribute a little of themselves to the performance, as shown, for example, in the improvisation of a song.

At the same time, the show is not static. We see constant change, such as in the garments: starting with an elegant green-print cabaret costume and ending with something completely different. This element helps signal a change of theme or topic and gives a new vibe to what is happening. It also emphasizes the ideas the artist is presenting, such as consumerism.

The show carefully considers every detail from beginning to end, leaving nothing to chance. It is accompanied throughout by sharp, original songs and quick-witted improv. At the same time, it leaves us reflecting on why life still feels strange in the modern world, with new comforts that put us one click away from having a product delivered to our doorstep or how new forms of technology continue to change our way of living. All presented in a funny and original way. Rene Paul will be performing his show at the Tallinn Fringe on August 25–26 and September 1, 2, 8, 9, and 12. Tickets can be found on Fienta, or you can check out the full Tallinn Fringe Festival program for more great events.

Author: Isi Salcedo