Every movement, gesture, and flick of the fan enhances the timing of her jokes and her darkly comedic delivery. The humor is unapologetically black, yet she handles serious topics with irony, allowing the audience to confront difficult subjects through laughter without feeling manipulated or uncomfortable.
Ortiz Amezquita enters carrying small travel cases, and begins with a play of light, mirrors, reflection and projection. It is a fitting introduction to the piece, an intricate work of object storytelling, self-portraiture through shadow and sound, thinking back and calling back, falling in and out of history with his story.
Despite the array of topics covered and formats used, Triinu’s performance is entirely cohesive and blends together flawlessly. Her ease and grace as a ballerina are mirrored in the way she conducts her show, and her control, both in her physical and spoken performance, is nothing short of impressive.
As part of the Tallinn Fringe, EAMT’s CPPM Master’s program presents their second volume of Läbu (Estonian for a…
The LÄBU series of performances is an opportunity to see different works created within the Master’s…
Heldeke! once again succeeded in drawing a massive crowd for their Saturday night double act, Playful…