By the end, the boundary between performers and spectators has pretty much disappeared, with a whole group dancing together and finishing with everyone clapping along.
What follows is a masterclass in all my favourite things about comedy – her observational jokes draw from a deep well of knowledge, with incredible historical puns and wild reaches of imagination and relatability.
There is a conversational quality to the songs, as though she has simply decided to sit down at the piano and tell you exactly what went wrong this time.
It is a performance rich with urgency and compassion, intensity that rocks the piano and movements both physical and musical that engage the full space with sound.
Gógó kicks off the night by explaining what “succulent” really means: something delicious, juicy, and enticing – and the performers deliver on that promise from start to finish.
Following the first act of Tallinn Fringe 2026 was the comedy panel show Please the People,…